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Dr Patrick Duggan

Associate Professor

Department: Arts

Joining Northumbria University in March 2020, Patrick is Associate Professor of Performance and Culture, and Head of Theatre and Performance. He was visiting Professor of Cultural Theory and Performance at the University of Hildesheim in Germany, Aug 2019 – Aug 2020. Before joining Northumbria, Patrick held substantive academic posts at the Universities of Surrey, Exeter and Northampton.

As well as numerous journal articles and book chapters, his publications include a special issue of the international journal Performance Research, entitled On Trauma (2011), a monograph investigating the relationship between contemporary performance and trauma – Trauma-Tragedy: Symptoms of Contemporary Performance (Manchester UP 2012), and an edited volume on the history and politics of small-scale British theatre – Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms (Intellect 2013). More recently he co-edited collection entitled Performing (for) Survival: Theatre, Crisis and Extremity (Palgrave 2016); the book examines performance practices that emerged in and during moments of conflict, crisis and extremity (rather than applied practices or on post fact representations). He is currently working on a full length monograph under the title Performance and the Politics of Fear (under contract with Palgrave for 2022/3). His latest works include a second co-edited special issue of the Performance Research entitled Staging the Wreckage (Vol. 24, Issue 5, 2019), and an ongoing collaborative research project exploring the interrelation of performance and resilience in city contexts (see for more information).

In response to the Covid-19 pandemic, I am currently PI on a rapid-response AHRC/UKRI-funded project: Social Distancing and Reimagining City Life: Performative strategies and practices for response and recovery in and beyond lockdown. Working with Dr Stuart Andrews (Brunel), we are investigating the role the arts have played in the public’s response to Covid-19, and how artistic practice and research could inform hazard mitigation planning in UK cities.

Patrick Duggan

Patrick is interested in why we (still) make theatre and performance: what is it for, what does it do culturally, politically, socially, aesthetically? Within this overarching frame, his research interests lie in critical approaches to contemporary performance and the relationship between performance and the wider isocio-cultural and political contexts in which it is made. He is nterested to look not only at contemporary aesthetic practice, but also at events in everyday life that we might analyse as and frame through performance. As such, his research might engage with a protest or a carnival parade, a politician’s speech or an installation hanging of a painting, a theatre play or the representation of a particular event in news-media.

His research is engaged with poststructuralist and political philosophy, is determinedly interdisciplinary in nature and particularly focused on questions of performance in situations of social crisis, spectatorship, witnessing, and trauma and ethics. Within this frame, he explores the socio-political efficacy of theatre, performance and other cultural practices.

  • Please visit the Pure Research Information Portal for further information
  • Towards ‘strategy as performance’ in hazard mitigation: reflections on Performing City Resilience in New Orleans , Andrews, S., Duggan, P. Jan 2021, In: Research in Drama Education: Journal of Applied Theatre and Performance
  • Rethinking Tourism : On the politics and practices of ‘staging’ New Orleans, Duggan, P. 21 Nov 2019, In: Performance Research
  • Staging the Wreckage: Special issue of Performance Research, Duggan, P., Bouchard, G. 4 Jul 2019
  • Situation Rooms: Performing City Resilience in New Orleans, Andrews, S., Duggan, P. 20 Apr 2019, In: Liminalities: a journal of performance studies
  • Unsettling the Audience: Affective 'dis-ease' and the Politics of Fear and Anxiety in Contemporary Performance, Duggan, P. 30 Dec 2017, In: Key Words: A Journal of Cultural Materialism
  • On the Radical Political Potential of Performance: Witnessing, Implication, and Ethics in Representations of the Northern Irish Dirty Protests and Hunger Strikes (1976–81), Duggan, P. 2 Oct 2017, In: Contemporary Theatre Review
  • Performing (for) Survival: Theatre, Crisis, Extremity, Duggan, P., Peschel, L. 6 Jan 2016
  • Trauma-Tragedy: Symptoms of contemporary performance, Duggan, P. 1 Sep 2012

  • Leila Nashef Enacting Trauma: a creative and critical exploration of the ethical implications of staging the traumatic Start Date: 01/10/2021
  • Bryony Taylor Manifestations of Systemic Trauma in Contemporary British Theatre Start Date: 01/06/2020

Arts (general) PhD August 31 2009

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