American Studies BA (Hons)

The Study Abroad module is a semester based 60 credit module which is available on degree courses which facilitate study abroad within the programme. You will undertake a semester abroad at a partner university equivalent to 60 UK credits. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be constructed to meet the learning outcomes for the programme for the semester in question, dependent on suitable modules from the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). The module will be assessed by conversion of graded marks from the host University and, where appropriate, complementary activities as agreed between the student and module tutor.

Learning outcomes on the year-long modules on which the student is unable to attend the home institution must be met at the host institution, and marks from the host are incorporated into the module as part of the overall assessment.

The American Studies Extended Essay is designed as an opportunity for you to apply and build on the skills you have acquired in Level Four core modules and prepare yourself for the demands of the American Studies Dissertation in Level Six. It is an exercise in independent research and is intended to be a piece of work that utilises an interdisciplinary approach to a selection of primary and secondary sources. Extended Essay topics will be developed in conjunction with an appropriate subject specialist.

In this module you will focus on key moments in the development of poetic theory and practice, from the early modern period to the present day. In this module you will examine poems as sites at which tradition and experiment collide and intertwine. Through the close analysis of a small number of individual poems by ground-breaking poets, you will develop your understanding of the dynamic relationship between poetic form and content. In doing so, you will reflect upon and interrogate the complex ways in which poetic texts engage with, and intervene in, broader cultural debates about nation, class, race, and gender. You will consider how the evolution of poetry and poetics coalesces with questions of aesthetics and ideology.

On this module you will explore the concept of identity in relation to literary texts across a range of periods and genres and in relation to contemporary debates around identity politics and the so-called culture wars. The module will address the relationship between identity and literary representation, drawing on approaches that might include intersectionality, narrative theory and gender studies. You will be encouraged to consider how literary texts participate in the representation and production of gendered, racial, national, sexual, post-colonial and other identities and their discussion and perception in the public sphere, from the classroom to the media. The module will extend your understanding of to the links between literary texts and real-world cultural, social and political debates, preparing you for the study of contemporary literature modules at Level 6.

What is historical fiction? When and why did historical fiction begin to be written? How have later writers of historical fiction built on or surpassed early forms of historical fiction? What did or does historical fiction tell us about the world we live in? This module addresses these questions, with a survey of historical fiction from its origins in the 19th century to its varied forms in the 21st century. You will learn to contextualise each historical novel in relation to the conflicts and strains of the period in which it was made and consumed, while also thinking about the relations between writing, gender, religion, and politics, issues of literary influence, and the function of art in times of crisis, past and present.

Building on your work correlating the historical novel and short story at Level 4 (Wide Sargasso Sea by Jean Rhys and ‘The Love of a Good Woman’ by Alice Munro), and prefiguring your extended writing work for the dissertation and on Level 6 modules, this module will develop your understanding of historical fiction as a literary genre. This will involve looking at its origins with Walter Scott’s 12th Century Medieval Romance and Folklore and then moving to the Tudors, the French Revolution, the Victorian Era and the Black British history after the Second World War. You will be examining close links between fictional re-imaginings of the past and issues surrounding changing national identities and popular memory. Finally you will be exploring the relationship between the historical novel and a range of other subgenres such as fantasy, social realism, postmodernism, romance, psychoanalysis, the Gothic, biography, spiritualism, detective fiction and postcolonialism.

Historians and other researchers have often used the terms of ‘affluence’ and ‘anxiety’ to describe US history and culture from 1920 to 1960. According to a traditional narrative, Americans enjoyed unprecedented ‘affluence’ in the 1920s and in the postwar period, while experiencing great ‘anxiety’ in the context of the Cold War. While useful, these narratives do not fully account for the complexity of this period. In this module, we will ask questions such as: Who took advantage of affluence (pre- and post-WW2)? Who was excluded from it and how? How did American conceptions of affluence fundamentally shape our current climate crisis? Beyond Cold War anxieties, what were Americans, in their diversity, worried about? How did foreign policy anxieties reveal themselves at home? And how did racial and gender anxieties shape US politics and culture?

With these questions in mind, we will assess and analyse major developments and events of the period, including, but not limited to: the roaring 1920s, the Great Depression, the Dust Bowl, the New Deal, World War II, the Cold War, the postwar “economic miracle,” the suburban boom, and the beginnings of the Civil Rights Movement. By narrowing our focus on four crucial decades of the 20th century, we will be able to look at these events from various angles. In accordance with recent developments in the field, we will pay particular attention to historiographical interpretations that emphasize race, gender, sexuality, and class, as well as the environment. This will mean, for instance, that you will not only learn about the anti-communist ‘Red Scare’ of the 1950s, but also about the lesser known ‘Lavender Scare’ that targeted gay men and women working for the US government. Similarly, we will study Rosa Parks’ efforts to desegregate the buses in 1950s Birmingham, but we will also pay attention to ordinary actors of the Civil Rights Movement, such as the African-American youths who desegregated swimming pools and amusement parks.

Primary and secondary source readings, along with classroom activities, will help you to critically engage this key era of American development and develop the interpretive skills of a historian.

This module offers you the opportunity to study the domestic social, cultural, political, and economic history of the United States during the “long 1960s” (roughly 1956-1974). Interdisciplinary in approach the module allows you to examine a range of secondary and primary sources – including television, literature, music, film and visual culture – that illuminate the history and culture of the US during this period. The module also encourages you to consider the perils and advantages of dealing with the 1960s as a discrete historical period, involves you in some of the most important scholarly debates in the field, and asks you to consider how the decade has been remembered and misremembered in popular consciousness by exploring later cultural representations and political uses of the 1960s. Key topics include the Cold War and Vietnam; consumerism; the civil rights and black power movements; national and local politics; science, technology and the environment; youth culture; gender and sexuality; identity politics; regionalism; the New Left and the Counterculture; conservatism and the New Right; mass media and popular music.

This module aims to ensure that you will be equipped with employability-related skills appropriate to graduates of History and associated degrees. The module adapts to your interests, whether you choose to pursue postgraduate study, enter the job market seeking graduate level employment, or establish your own enterprise. One of the purposes of Your Graduate Future is to raise your awareness of the wide range of possibilities, and to equip you with the knowledge, the skills and the experiences that may enable you to respond effectively to future opportunities. This module now includes a “Standard Pathway” and a “Law Pathway”, delivered in collaboration with Northumbria School of Law. For the Standard Pathway, in semester 1 you will attend lectures and participate in seminars that will present the intricacies of contemporary job seeking in different sectors. These will include guest lectures. You will then work with a group of your peers on an outward-looking project that will enable you to display your specific skills, to establish and nurture internal and external contacts, and to express your interests in a public outcome of your choice. In semester 2, you will develop your CV and further explore your evolving skillsets by means of engaging on your choice of work experience, volunteering, enterprise planning or a placement abroad. These will take the shape of supported independent activities. Assessment consists of a group project with a public outcome, an individual report reflecting on the scholarly basis of your project and your assessment of the process, and a placement report (at the end of semester 2). Students in the Law Pathway will also attend the lectures, and will follow a bespoke schedule of workshops, seminars, a field visit to The National Archives in London including archival training and a private tour of the archives. They will also undergo two specialised training sessions in Newcastle. Students in both pathways will follow the same assessment pattern, but those in the Law Pathway will work alongside students from the Law School to investigate a historical legal case using original archival material from The National Archives and Tyne & Wear Archives & Museums, and their group project will see them produce public facing history outputs for these external clients, including exhibitions, website blogs, and contributions to their official social media channels. In Semester 2, the ‘Placement’ element will work with Law students to design and stage a reconstruction of the trial itself.

This module will explore the history of conservatism in the United States of America from the 1930s to the present day. Beginning with opposition to Franklin Roosevelt and the New Deal, this module will trace the evolution of American conservatism through the era of Republican presidents Richard Nixon and Ronald Reagan, and all the way up to the emergence of Donald Trump and the ‘alt-right’. At the heart of this module is a simple question: did the U.S. ‘turn right’ during the twentieth century? In answering that question, you will grapple with the fundamental issue of what it means to be a ‘conservative’ in America and how that label has been used and fought over in different eras and contexts.

You will learn about developments in high politics and at the grassroots, and gain an understanding of conservative movements both within and without the Republican Party. As well as learning about crucial events in recent U.S. political history (such as Barry Goldwater’s transformational 1964 presidential campaign), you will learn about the ways that conservatives revolutionised the nation’s political culture, pioneering innovative electoral techniques such as direct mail and constructing formidable conservative media outlets like Fox News. The module is organised in a broadly chronological way, but you will also explore key themes and movements that span decades, such as the religious right, anti-feminism, and ‘colour-blind’ conservatism.

The tiny countries of Central America form a narrow land bridge between the continents of North and South America. For centuries a quiet

backwater, the region gained international importance in the twentieth century, thanks to the United States’ growing interest in its ‘backyard’ to

the south.

In this module, you will explore Central America’s tumultuous twentieth century via a variety of primary sources. You will use US military

archives to explore the US occupation of Nicaragua from 1912 to 1933, and discover how historians have used oral history to rescue

memories of the El Salvadoran massacre of 1932. In the second half of the course, you will look at how ideas about development intersected

with U.S. informal empire in the region, using CIA and State Department documents to uncover the roots of the civil wars which wracked the

isthmus in the 1980s. Finally, you will learn about the controversy surrounding Rigoberta Menchú’s memoir of the Guatemalan civil war, and

consider how historians navigate conflicting documents and imperfect, contested memories to create credible accounts of past events.

We know you like films, and we know that you like using them as historical evidence. But are you aware that you need a very particular skill set in order to analyse and write about films properly? If you weren’t but are interested in finding out more, and particularly if you are thinking of using film in your final-year dissertation, then this is the module for you.

This team-taught module invites you to consider a variety of popular film genres, with a specific view towards considering their value to the historian, both as sources about the past AND sources from the past. Key genres that we’ll examine include documentaries, historical dramas, biopics, science fiction, and more. The module tutors will provide you with leading-edge theoretical and methodological approaches through which you will learn how to analyse cinema as a historian.

Learning about the ways in which we might dissect a film will provide you with a range of tools that you can bring to bear on the world around you. For example, you will be able to demonstrate how popular film reflects and attempts to shape popular opinion about key political issues of the time, and how the semiotics of film enable us to move beyond simply responding to film’s plot or its cast.

As this suggests, the module requires you to develop additional analytic skills to those that you would wield when analysing textual documents. It will enable you to move beyond issues pertaining to a film’s factual accuracy (or lack thereof) to consider its emotional truths, its ideological standpoints, the ways in which the filmmakers attempt to convey and disguise political messages, and the way in which audiences are able to absorb, reject, or transform these messages as they see fit. Naturally, it will encourage you to consider the complicated relationship between the past, film, history, Film Studies, and the discipline of History itself. It might even do more…

“Field Notes” will take you out of the classroom to immerse you in the major issues facing the contemporary world. The North East is a region alive with controversy and contested spaces which speak to larger challenges facing the nation and the global community in the 21st century. Landscapes throughout the region, from the coast to the Northumberland National Park, Newcastle city centre to the banks of the River Tyne, are inscribed with complex histories which intersect with, and inform, ongoing battles over how to manage, protect, and develop these spaces for a future informed by severe social and economic challenges and the upheaval caused by climate change. You will be taken to four different local sites that are at the centre of these larger environmental-social-political and economic battles and learn how to unravel the complex dynamics that underpin these spaces (from the choices made by policy makers at the local, national, and global level, to the role of communities, activist groups, and other stakeholders in shaping these places). You will be asked to complete a range of assessments from a group presentation to a public poster and site report responding to these field trips. Through the module, therefore, you will be taught how to understand the dynamics of place and policy making and most importantly how to apply historical research to contemporary social issues that impact our world today.

In this module you will acquire in-depth knowledge about the Spanish late medieval period, with all of its captivating myths and influential realities. You will become critically familiar with exciting passages of universal history, including the end of the Reconquest (with the rise of the Spanish Inquisition and the expulsion of Jews and Muslims), the discovery of America, often referred to as an “encounter” of civilisations, and the development of the modern world from an Iberian perspective. You will explore the concepts of religious persecution and clash of civilisations, establishing the links between the political role of the Catholic Church and the development of a “new” continent in America from 1492. Moreover, you will gain an expert understanding of coexistence and conflict between Muslims, Jews and Christians in Spain, including the transformational cultural legacies that Europe and the West owe to Al-Andalus and Sefarad (Muslim and Jewish Spain). You will also gain a nuanced understanding of imperial dynamics between indigenous civilisations, including the Inca and the Azteca, and European settlers in the New World. You will learn about Spain’s Christian and Imperial mandates by using a wide range of translated primary sources, which will include, amongst many others, the Lead Books of Granada, Hernán Cortés’s Letters from Mexico, and Álvar Núnez’s account of his ten years journey from Florida to California, Castaways. You will also be able to evaluate the role of propaganda, from a comparative history perspective, when assessing the key events that took place before and after 1492, and how these shaped the course of modern history.

You will learn about the most significant issues and challenges of our times in the domain of foreign policy. While grounded in IR theory, you will be introduced to foreign policy analysis (FPA)-specific frameworks and levels of analysis such as to systems of governance, decision making structures and models, leadership analysis, the role of the media, public opinion and special interest groups. Empirically, you will learn about the foreign policy of key actors in the international system towards a region or set of issues such as, for example, US and China foreign policy.

The 20-credit yearlong Unilang modules (stages 1 – 5 depending on language) aim to encourage a positive attitude to language learning and to develop and practise the four language skills of speaking, listening, reading and writing introducing the basic/increasingly complex grammatical structures and vocabulary of the spoken and written language (depending on stage) and developing your ability to respond appropriately in the foreign language in spoken and written form in simple and increasingly complex everyday situations.

These modules also introduce you to the country and the culture of the country. In doing this, Unilang modules are intended to encourage and support international mobility; to enhance employability at home and abroad; to improve communication skills in the foreign language as well as English; to improve cultural awareness and, at the higher stages, to encourage access to foreign sources.

The module will focus on the televisual representation and articulation of cultural identities in Britain and the US. We will look at how gender, ethnicity, national and regional identities are constructed through an examination of different genres and areas of screen media, such as drama, comedy and current affairs. We will explore issues such as class, gender and racial stereotypes, visibility of minority groups and integration. Throughout the course we will also consider the function of television, considering what its role might be in the construction of cultural identities.

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.